The romantic era and its goals
The following definitions are pulled from literary contexts and for the purposes of this web site are merely a jumping point for further discussion. If not realist, late 19th-century art was often extremely detailed, and pride was taken in adding authentic details in a way that earlier Romantics did not trouble with. By the 17th c. In Germany the word romantisch was used in the 17th c. While Gros' teacher Jaques Louis David also portrayed Napoleon in all of his mythic glory, Gros, along with some of David's other students, injected a Baroque dynamism into their compositions to create a more dramatic effect than David's Neoclassicism offered. Symbolism and Myth Symbolism and myth were given great prominence in the Romantic conception of art. The playspace licenses imaginative acts of re-interpretation—as if one were to ask: how would Scott's Ivanhoe look if its materials had been so arranged that the novel ended with the marriage of Ivanhoe and Rebecca an outcome many of its initial readers wanted and thought the novel demanded? Jhally, Sut. They genuinely thought that they were prophetic figures who could interpret reality. Accuracy of observation, however, was not sought for its own sake. The Romantic era rises from the new wealth, stability, and sense of progress created by the preceding Enlightenment.
London: Penguin Books, Gros' depiction of suffering and death, combined with heroism and patriotism within an exotic locale became hallmarks of many Romantic paintings.
Introduction to Romanticism Romanticism has very little to do with things popularly thought of as "romantic," although love may occasionally be the subject of Romantic art.
The use of color and light highlights Napoleon's gesture, meant to convey his noble character in addition to likening him to Christ, who healed the sick. It is difficult to pinpoint the exact start of the romantic movement, as its beginnings can be traced to many events of the time: a surge of interest in folklore in the early to mid-nineteenth century with the work of the brothers Grimm, reactions against neoclassicism and the Augustan poets in England, and political events and uprisings that fostered nationalistic pride.
Modernity and the Hegemony of Vision.
For example, "How romantic! The Gothic Reaction against the Enlightenment was reflected in the rise of the Gothic novel.
Baltimore: Johns Hopkins UP,
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